Paper of the Month: Everything for Breakfast

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Our Paper of the Month for July is Everything for Breakfast from Sheffield-based illustrator David Hill. Set in a brilliantly drawn universe, the 20-page digital tabloid starts off with an invitation to a birthday breakfast on a lighthouse. The story follows an adventurer in a fabulous jumper, making her way across the world one breakfast at a time — it’s our kind of comic. Just look at that bedroom!

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Unfortunately we can’t jump into the pages, but David was happy to tell us a bit more about his comic:

Everything for Breakfast is the result of my final university project, where I wanted to create something for children to interact with, to read through, and to implicitly receive the message of the importance of acceptance and tolerance amongst different cultures.

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I use my child protagonists – Scottish Explorer Aggie and Ghanaian food lover Kofi – to get the message across in their own unique way. In issue one, Aggie encounters the Tunnel Dudes, a grumpy set of postmen, who become both help and hindrances throughout. They reluctantly help her on her way south towards the Congo jungle so she can find the best present for Kofi’s birthday, while eating all the breakfast she can before setting off again.

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Children’s comics have been around for many years, though a gap seems apparent in educational comics for kids who are becoming more socially independent as they move from primary to secondary school. With this project I was hoping to bridge that gap with my contribution.

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I see the comic being read by kids in schools during the morning breakfast routine, or at break time, so I wanted the comic to be a larger format than the usual issued comic of today, and saw that our University’s graduation brochure was being printed through Newspaper Club. I’ve been aware of the company for a while so this was the perfect excuse to see what my work looks like as a newspaper. The results are great, and I didn’t expect the company to be so personal with the project! And now I know how to make Issue 2 even better.

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This is just the first of a planned four installments, and we can’t wait for the next issue. Thanks for printing with us, David!

About Paper of the Month

Every month, we give a £100 Newspaper Club voucher to one paper shared in The Newsagent. If you’ve printed a paper with us, share your paper (through the settings in your account) for a chance to win.

 

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Filed under: art, case studies, illustration, Newsagent, Newspaper Stories, Paper of the Month, students

Observe: Cambridge Edition

 

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It’s always tempting to sneak a look when you come across someone drawing in a sketchbook. But sometimes you’re lucky enough to be given a guilt-free glimpse in the form of a newspaper. Hannah Blackman-Kurz is a terribly talented illustrator — she’s written a gorgeous children’s book called The Qalupalik and designed posters for the Cambridge Arts Theatre – who has published bits of her travelling sketchbook as a 12-page digital tabloid. Observe is a collection of drawings she did in her local coffee shops, and she tells us a bit about the project:

Observe was a self initiated day project that was based in Cambridge coffee shops. It was a experimentation on how my images would feel placed on a newspaper format and if it gave a different quality to the images, it also fitted the theme of coffee shops and how newspapers are associated with them.

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It was great to see how they finally turned out, it gave the images more of a tactile approach where people can pick them up and don’t feel they have to be so precious with it unlike going through someone’s sketchbook. I’m going to keep experimenting hopefully there shall be a few more editions over the the summer! Thanks Newspaper Club!

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We love Hannah’s work and you can see more of it on her blog. Thank you for printing with us!

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Splendid Vol. 1

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Splendid is a handsome collection of black and white ink drawings from illustrator  Samuel St. Leger. The 16-page digital tabloid includes a centrefold drawing of the Raft of Medusa and a wrap-around cover featuring this dour chap, Sea-weed Sad-face:

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It’s a great little publication available in The Newsagent now for £6.50 including delivery. We asked Samuel to tell us about the project:

The idea behind Splendid (in as much as it can be said to have any idea behind it at all) was that I wanted to collect together some of the illustrations I had made at the time. There isn’t really a coherent theme to the paper, and each image is printed large enough to be considered on its own, though in general I tend towards nostalgic images, often tainted/mutated/warped by the passing of time and all rendered in a harsh black and white line which borrows somewhat from woodcuts, engravings, and comics.

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I have always loved the look and feel of newsprint and this project seemed to finally be something where I could marry the two — my black and white illustrations printed in a newspaper. It hadn’t escaped my attention that several artists also used newspapers to produce limited run comics and the like (Chris Ware being the easiest one to spring to mind) and I think I hoped to make Edition 1 from a backlog of work, print it and sell the whole run, then move on to Edition 2, 3, 4 etc.

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I really didn’t have to search that hard to find Newspaper Club — literally just Googled ‘newspaper printing UK’ I think — and the site was the first to appear that was able to make short runs, in a good turn-around period and at a price I could understand and afford. Also, upon further investigation, Newspaper Club are very human, helpful and engaged — especially when I had a small flap about using process black or 100% CMYK black for my edition.

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I faffed around quite a bit with the ordering and layout of my paper, and having decided on a short run, set about making a wrap-around cover (combined with a centrefold image, both things I remember as massive selling points for comics and fanzines of my youth) and drawing a couple of new bits. Then I sent it to print and waited.

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The best bit was when the box arrived at my workplace and I scrabbled at it pulling newspapers out. As I work in a creative agency a fair few people there were interested in the paper and bought them immediately. I still love to look through Splendid and it brings me immense satisfaction as an object to be interacted with and as a record of my work at that time. I have a couple left on my shelves in my studio, and every now and then, if I sell something via Etsy or the like I will chuck a copy in as a bonus!

You can find more of Samuel’s drawings and musings on his blog. Thank you for printing with us!

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Filed under: art, case studies, illustration

A Biography of Tadeo Isidoro Cruz

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Argentine writer Jorge Luis Borges published his short story “A Biography of Tadeo Isidoro Cruz” in 1949. The folk tale has been beautifully interpreted by Falmouth illustration student Christos Papakonstantinopoulos in a monochrome graphic novel– we think the bold black-and-white panels look brilliant printed in a digital tabloid newspaper. A Biography of Tadeo Isidoro Cruz is available in The Newsagent now for £7.25. Christos says about his project:

This illustrated newspaper was the result of my research on adapting short stories into the Graphic Novel format. It was part of my final project for the MA Illustration: Authorial Practice in Falmouth University. A limited edition of 22 numbered and signed copies was exhibited in the 2013 MA show in Falmouth, Cornwall.

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The Argentine Jorge Luis Borges, one of the most significant writers of the 20th century, dedicated a lot of his writings to telling stories about the life of well known folk heroes of his country. His short story “A Biography of Tadeo Isidoro Cruz (1829-1874)” is an example of how one of these heroes lived. It’s a documentation of customs, habits, and traditions related to the gauchos: the South American version of cowboys.

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Gauchos played an important role in Argentina ‘s struggle against colonialism, and became a symbol of courage and freedom. Living in the country’s wide plains (with sole companion a knife, a poncho, and a horse) was tough, and sometimes brutal. This explains, in a way, the reason why they were so popular among literature, and artistic circles all over Latin America. These features of the gaucho’s way of life, which reveal the unknown but very interesting world of the South American cowboys, are presented through the pages of this newspaper.

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By telling the story through the Graphic Novel medium I hope it will reach a wide audience of all ages as, in my view, the narrative potentials and the special aesthetics of the medium redefine the limits of contemporary literature.

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This visualized version of J. L. Borges short story was hand written, hand drawn and inked in Kathmor House Studios, based in Falmouth, and it is part of a collection of illustrated short stories under the title Kathmor Illustrated Series, which will be released shortly.

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My tutors, fellow students, and me agreed that the most suitable print form for my work would be the newsprint. The expressive character of the black and white drawings are perfectly presented through the material qualities of the traditional newsprint paper. When I received the package with the papers I was surprised to see the final drawings printed, and eventually work as a total visual composition. The newspaper fulfilled our expectations completely, and it was a big success.

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Thank you for printing with us, Christos!

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Pond Life Papers

For the last year, David Ross, Glasgow based designer (and NPC neighbour), has been working on a collaborative product to make beautiful flat pack lamps with a whole host other local illustrators, artists and designers.

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His pondlife themed designs were created to “restore a little love for self-assembly furniture”, giving owners “a connection with the object, a greater understanding of the design and an increased sense of ownership of the product,” once they’ve teased together the simple, elegant frames.

David says: “The shades and frames were inspired by an ongoing interest in ponds, particularly the creatures, plants and structures that make up a pond’s ecosystem.”

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“I made the newspapers for my exhibition primarily because I wanted the opportunity to give a greater background to the product I was launching (including information about 10 collaborators!) without having to print hundreds of sheets of paper in my studio.
Secondly, the newspaper is a far nicer object to pick-up and read than a few sheets of A4, and I hope people will be more likely to hang onto it.
And thirdly, with the Pond Life Laser Lamps I tried to create an honest and fun product – I feel that this is mirrored with a newspaper.”

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The lamps are still on display now in an exhibition at the Lighthouse in Glasgow, and can be bought through the Lighthouse shop, Tojo, or David’s website here. They also happen to feature work by the great Chris Watson, who shares our office space, and one shade by yours truly.

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St. Jude’s In The City

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There’s a lovely event happening now at The Town House in Spitalfieds. St. Jude’s In The City is an exhibition of recent works by artists Angie Lewin and Alex Malcolmson organised by St. Jude’s Prints.

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They printed a mini newspaper to go alongside the exhibition — a teaser edition for the second issue of their publication Random Spectacular. (The first smashing issue of Random Spectacular can be seen on their website.) It features works from the exhibition, including Alex Malcomson’s box constructions and Angie Lewin’s linocuts, as well as essays about London from Random Spectacular contributors.

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Free copies of the newspaper are available (while stocks last) at the exhibition, which runs until 5pm on Saturday 24th May (daily open times are listed online). They’ll also have a small number of copies available to purchase (for a nominal amount) online after the exhibition.

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Full exhibition details can be found on the St. Jude’s website. Random Spectacular No. 2 will be published in June, and as with the first issue all profits go to Maggie’s Cancer Caring Centres. You can follow St. Jude’s on Twitter and Facebook to be the first to hear when it’s out for sale.

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IRISS On…Weaving Innovation and Evidence Together

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IRISS is a charitable organisation that promotes positive outcomes for people who use Scotland’s social services. They teamed up with Dundee-based illustrator Amanda Bataller to produce an eye-grabbing newspaper aimed at people who work in the social care and support sector. Company reports can be a chore to read but the illustrations here are wonderful, cleverly interpreting the newspaper’s theme of ‘weaving innovation and evidence together’ and getting the point across in an engaging visual way. Here’s more about it from IRISS:

IRISS On… is a newspaper series written and published by the Institute for Research and Innovation in Social Services (IRISS). The newspaper aims to enlighten, inform and support people to change how they work using new knowledge and processes to develop the ways people are supported. The first IRISS On…was about innovation and improvement — this post is about the creation of the second editon, IRISS On…Weaving Innovation and Evidence Together.

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IRISS On…Weaving Innovation and Evidence Together is a 24-page traditional mini newspaper that was written by Fiona Munro and Gayle Rice (from IRISS) and illustrated by Amanda Bataller. The subject of the newspaper is an exploration into the relationships between innovation and evidence in the context of Scotland’s social services, as the way people approach innovation and evidence affects the outcomes and outputs of work. IRISS is using the newspaper to share this knowledge and encourage people to consider how they think about these two concepts, rather than seeing them as distinct and separate.

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Amanda created the illustrations using Photoshop. The images use the weaving concept to visually communicate the copy and make it more engaging. The ideas is innovation and evidence are represented by two different coloured threads: green for innovation and blue for evidence. The illustrations were used to narrate two characters using the threads in different ways and the copy provides examples of how innovation and evidence have been used in these different ways. The style is simple, clear and eye-catching.

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Fiona, Gayle and Amanda worked collaboratively, providing feedback to each other during each stage of the development process to reach a newspaper we are all proud of.

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1,000 copies of the newspaper have been printed by Newspaper Club, and are being delivered to IRISS champions around all Scotland in different social care and support services and organisations. The license of the newspaper is creative common, so everybody can download it and use it for non-commercial purposes. Please share it widely.

You can find out more about IRISS on their website and follow them on Twitter. Amanda has some more lovely work online too. Thanks for printing with us!

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Filed under: case studies, illustration

The Little Emperor

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Joey Duong is an illustrator in her third year of study at Hertfordshire University. She recently printed one of the most brilliantly colourful digital tabloids we’ve seen, filled with her lovely drawings. Joey told us about her newspaper:

The Little Emperor was created for a university project. It involved finding a topic that we felt strongly about and creating imagery to hopefully inspire others to take interest in it. The topic I chose was based on the one child policy in China. Though the policy has recently been relaxed, I wanted to show my perception of what it’s like to be an only child in a Chinese family (being Chinese myself I understand the pressures).

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This idea was mostly inspired by an article I read, reporting that parents who are too busy to look after their children will typically leave the responsibilities to grandparents who live under the same roof. This then leads to the parents worrying about the child being too spoiled, what they call in China “Little Emperor Syndrome” — hence the title of my newspaper.

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From the age of 3, some parents choose to send their children away to boarding school so they can become more ‘independent.’ My main aim was to capture the sadness of this lifestyle — for the reader to feel sorry for the child and understand the downsides to this aspect of Chinese culture.

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I don’t usually base my work on sad topics, so it was a challenge for me at first. My style is quite childlike and cheerful, so I had problems trying to create work that communicates a sad topic but also trying to suit it to my illustration style.

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I enjoy using all types of media and materials, and for this newspaper I created images using a mixture of poster paint, watercolour, felt tips, acrylic and black fine liner. I then edited them on Photoshop and organised the pages on InDesign.

You can see more of Joey’s bright and wonderful work on her website Crazy Pot of Pencils and buy prints of her drawings on Society6. Thank you for printing with us, Joey!

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Filed under: art, case studies, illustration, students

Paper of the Month: National Collective Zine

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February’s Paper of the Month is the National Collective Zine, a new publication from an arts movement ‘founded with the aims of arguing the positive case for Scottish independence.’ 

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It’s a limited edition improved tabloid (only 200 available) with contributions from a great collection of Scottish artists and creatives, including specially commissioned artwork from Alasdair Gray and an exclusive interview with Mogwai’s Stuart Braithwaite. There’s photography, fiction, collage, political and cultural commentary, poetry — all contained within 36 well-designed pages.

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Copies are available from the National Collective shop for £3.50, while supplies last. Thank you for printing with us!

About Paper of the Month

Every month, we give a £100 Newspaper Club voucher to one paper shared in our Newsagent. If you’ve printed a paper with us, share your paper (through the settings in your account) for a chance to win.

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Filed under: art, illustration, Paper of the Month

Seven on the Spot

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Seven on the Spot was one of the first papers to go on sale in the Newsagent, and we couldn’t be happier to open shop with such a lovely paper on offer. It’s a collection of writing from seven author friends, all required to use the same set of seven words in their stories. Co-editor Anne Shewring says: ‘Even though we started work on the same day, with the same words in mind, all our stories are very different.’ We asked her to tell us more about the project:

Seven On, now in its second edition, is a collection of short stories, written by a group of writers and friends. Our first collection was born over a drink. Sandra Deeble and Anne Shewring were grumbling about how hard it is to get any short stories published.  Then it occurred to us – we could do it ourselves. Anne had already published a couple of newspapers with Newspaper Club, and the format seemed ideal for getting something done easily.

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I’m not sure where the idea for seven came from; maybe it was how many people we knew who were prepared to write a story and not get paid for it. Our first theme was austerity, the word of the moment in 2011, and we asked illustrator Mike Howard to design and illustrate the newspaper, which he did splendidly.

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Seven on Austerity looked great and it was lovely to see our work in print, so lovely, in fact, that we decided to produce another edition. We invited writers to send us stories on the theme of laughter, but then didn’t really enjoy anything that came our way. Abandoning that idea, we went back to the original seven, with one change, and went away for the weekend, to Anne’s tiny cottage in Derbyshire, one of our writers coming all the way from Gettysburg to join us.

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We took a walk around the village of Holbrook and, inspired by what we saw, each of us returned with a word. The seven writers then produced a story containing all of these seven words. The result is Seven on the Spot. Mike Howard has again illustrated, with help from a few friends, and has produced a really lovely looking newspaper.

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We’re happy if anyone reads our Seven On papers, and there are some great stories in there, but really, the fun is in the writing and publishing. We’d love to be able to afford to produce thousands and give them away to commuters to jolly up their journeys, but at the moment that’s not possible.  Maybe one day. In the meantime, watch out for Seven On number three.

Seven on the Spot and Seven on Austerity are available to buy in the Seven On shop in the Newsagent for £4.25 each, delivered.

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Filed under: art, case studies, illustration, Newsagent

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